Creative Detours (and the next book in the Prayer Shawl Chronicles)

Sometimes even knitters need a break. I’ve set down my needles for a bit and picked up needlepoint — a portable, colorful craft that feels like fingerpainting with thread. After finishing the next-to-last draft of my new Prayer Shawl Chronicles novel, my brain needs a rest.

Do you ever get tired of knitting, even if it’s your primary hobby?

I’ve hit one of those times when I want to do “something else” for a little while — much like when I take a break from my beloved dance aerobics to do yoga, beach walks, or try something new. I always circle back to dance aerobics, and I always circle back to knitting.

Right now, though, I’m rediscovering needlepoint. It’s small, portable, and easy to do — almost like fingerpainting with thread and a needle. On a recent trip to Québec and Montréal, I tucked a little project into my bag and enjoyed the mindful rhythm of stitching in quiet moments. There’s something deeply satisfying about the relatively mindless rhythm of needlepoint: no designing, no choosing patterns, no counting stitches. Just color and thread.

And here’s the real reason for this creative detour: my brain is fried. I’ve just finished the next-to-last draft of my new novel — the upcoming book in The Prayer Shawl Chronicles series. This story travels from Bruges to Sevilla, then across the ocean to Peru and Florida… and it has worn me out!

So for now, I’m resting my writer’s mind with a few easy stitches. But you know me — I’ll be back to knitting soon enough… 🧶…as soon as I finish the final draft of my new novel!

Cynthia Coe is the author of The Prayer Shawl Chronicles, a series of fictional stories woven together by the theme of human connections made through prayer shawls and the craft of knitting. Her newest book is her first historical novel, Knitting Through Time: Stories of How We Learned to Knit. Learn more by visiting her Author Page at this link

Why You Shouldn’t Be Embarrassed to Do “Granny Crafts”


If you’re a 20-something who knits, crochets, or embroiders—this is for you. Granny Crafts aren’t just for grannies. They’re quiet, powerful tools for stress relief, creativity, and deep comfort through every stage of life.

Cindy Knitting with Cats

Dear Young Crafty Kindred Spirit,

Lately, more and more people are talking about how young adults are embracing so-called “Granny Crafts”—and I love it.

If you’re here because you knit, crochet, embroider, or sew—or want to—you’re in good company. I’ve been knitting since I was a teenager myself. But it wasn’t until college, when stress started to weigh heavy on my shoulders, that I really picked it up as a coping mechanism. I’d sit in my dorm room or in a quiet corner of the student center, needles in hand, letting the rhythm of the yarn pull me back from the brink.

Some days, you just want everything—school, jobs, relationships, even the noise of the world—to go away for a while. I get it.

You were born into the digital age. My own kids got their first iPods in middle school and were among the first to start texting. Now, we all carry around little rectangles that buzz and ping and demand our attention 24/7. But here’s the secret: you can turn it off. Just for a few minutes. Really. The world won’t end.

And when you do? That’s when Granny Crafts work their quiet magic.

There’s no algorithm here. No pressure to go viral. No rush to the finish line. When you pick up a needle or a hook, it’s just you, your yarn, and your own rhythm. You can work slowly. Thoughtfully. Or set it down and pick it back up a month later. Granny Crafts are deeply human—analog, if you will. They exist on your terms, not someone else’s timeline.

You may not know it yet, but you’re building something far bigger than a handmade scarf. You’re building a lifelong tool for patience and comfort. Someday, you’ll find yourself stuck in medical waiting rooms. You’ll sit through school pickup lines or kids’ gymnastics practice. You’ll be at hospital bedsides or nursing homes, offering your presence when there’s nothing more you can do. Except this: stitch by stitch, you wait. You love. You breathe.

Granny Crafts give you something to hold on to when the rest of life feels uncertain. They will anchor you when stress comes crashing in, and they will accompany you through every phase of adulthood with grace and beauty.

Welcome to the circle. You’re not alone.

With love and yarn,
Cindy
Knitter, writer, and lifelong lover of “Granny Crafts”

If you’re looking for stories of other women—young, old, and in-between—who have walked that road, I invite you to follow my blog and check out my novels. I write about knitting, community, and faith in a world that is often spinning too fast. Sometimes, we need the quiet power of yarn and human connection to slow it down.

Cynthia Coe is the author of The Prayer Shawl Chronicles, a series of fictional stories woven together by the theme of human connections made through prayer shawls and the craft of knitting. Her newest book is her first historical novel, Knitting Through Time: Stories of How We Learned to Knit. Learn more by visiting her Author Page at this link

Your Crafting Supplier Goes Out of Business. What do you do?

Many of us have recently learned that a major crafting retailer is going out of business for good, nationwide. And many of us wonder, what to do? Here are tips.

Here we go again: another round of business closings, and this time it affects our beloved hobbies of knitting, sewing, crocheting, jewelry making, and many other crafts. Those of us using these hobbies to keep our sanity, calm down, express creativity, or just make something nice for ourselves or loved ones might wonder how we get the basic supplies for these crafts.

We’ve been here before. During the pandemic, ALL of the online retailers supplying my yarns for knitting eventually went out of business. And reader, I got some huge bargains on top quality yarns, which I’m still using and expect to use for many years to come. Here’s what I learned:

  • Don’t fret about where to buy your next yarn stashes just yet. Nature abhors a vacuum. Supply markets naturally fill gaps when they arise. If you don’t have a nice place to buy crafting materials in the near future, again, Patience! Work through your stash. If you have indeed bought plenty of yarns or other materials from the big going-out-of-business sales, you’ll have plenty to do. If you must, order online or visit a locally owned shop. At some point, if there’s demand, another business will snatch up the market for reasonably priced crafting materials!
  • Deep Clearance Sales WILL Happen. You’re about to scoop up some deals on crafting supplies, but you may need to be patient. Businesses handle these closure sales different ways. One retailer suddenly had huge sales BEFORE announcing a closure. If you see this, read the red flags and move! On the other hand, other businesses may keep trying to sell merchandise they think they can squeeze more money out of before they are finally forced to go to deep discounts. If you KNOW a business is closing and still has vast quantities of yarns or other craft supplies on hand, wait. Then, when those discounts finally happen, pounce!
  • Buy plenty of yarn or other supplies you absolutely know you will use. If you knit sweaters or blankets, there will be no way to get more skeins if you run out. Buy at least as much as you think you’ll need for a project, plus extra. (You can always make something small, like a cowl or coasters, with the spare materials after you finish your big project.)
  • On the other hand, DON’T buy yarn you know deep in your heart you’ll never use. Just because something is 90% off doesn’t mean it’s a great deal for you. Only buy yarns you would have bought or strongly considered buying if not on sale. If you see something at 75-90% off that you think you might want to try for a small project, go ahead if you have the spare cash. Otherwise, don’t buy something that will be sitting in a closet ten years from now.
  • Think about storage and future plans. During the pandemic, I bought huge amounts of all-wool yarns in my favorite colors and weights. I was also in the process of moving and downsizing. Given that I will (and already have) put these yarns to good use at some point, I ended up re-purposing a china cabinet for these yarns. I ditched a bunch of things that cabinet used to hold – items I never used. Before you buy huge amounts of yarn or other crafting supplies, think: where will I store it, what can I get rid of to free up storage, and do my future plans allow for this? (Pssst…you might get storage bins on sale, too, if you have room for them.)
  • If you’re buying wool yarns, think about preservation. Moths just love wool. They love to eat it, especially if hidden away in quiet, dark places. So if your yarn-buying spree involves wool or other such yarns, be prepared to seal up your purchases in large plastic bags. Save yourself future heartbreak.

In the meantime, happy retail therapy at bargain prices!!! Cindy

Cynthia Coe is the author of The Prayer Shawl Chronicles, a collection of interrelated short stories about knitters and those they meet through knitting and sharing prayer shawls. 

Be sure to check out my newly published A Prayer Shawl Handbook: Inspiration and Resources for Your Prayer Shawl Ministry, now available in paperback and e-book editions and included in Kindle Unlimited.

Cynthia Coe is a writer, book reviewer, and avid knitter. Her books and blog posts can be found on her Amazon Author Page

Knitting Together Faith, History, and Community: The Prayer Shawl Chronicles Series

Knitting is much more than crafting a beautiful piece of fabric. It’s about weaving together threads that, on their own, may seem ordinary, but when intertwined, form something greater—something full of meaning and purpose. That’s exactly how I view my series, The Prayer Shawl Chronicles.

While each book stands alone, much like individual strands of yarn, together they create a rich, interconnected story that spans generations, cultures, and the deep role of faith in our communities. My goal with this series has always been to show how knitting, community, and faith intertwine, much like the stitches of a prayer shawl, creating warmth and connection where it’s needed most.

In the first book, The Prayer Shawl Chronicles, we dive into the close-knit (pun intended!) relationships within a small church, where knitting isn’t just a craft—it’s a form of spiritual and emotional support. The women of the church use their knitting needles to form bonds, offer prayers, and express love.

The second book, The Knitting Guild of All Saints, broadens this view, taking readers deeper into the history of a community knit together by faith and a shared love of creating. The guild connects across time, showing how past and present come together to form a lasting legacy through their works of kindness, friendship, and artistry.

Finally, Knitting Through Time steps fully into historical fiction, weaving a tale that travels through different eras, illustrating how the act of knitting—and faith—has long been a thread that connects generations. It’s a tribute to those who came before us and the ways they influenced not just their world, but ours today.

I encourage you to read each of these books not only for their stand-alone stories but also to experience how they interlace into one powerful narrative of faith, knitting, and community. These are stories of people much like us, who find strength in faith and fellowship—and who just so happen to have a love for knitting along the way!

Happy reading, and as always, happy knitting!

Cindy

Cynthia Coe is the author of The Prayer Shawl Chronicles, a series of fictional stories woven together by the theme of human connections made through prayer shawls and the craft of knitting. Her newest book is her first historical novel, Knitting Through Time: Stories of How We Learned to Knit. Learn more by visiting her Author Page at this link

Keep Knitting Fresh and Interesting – Learn New Skills

Feeling in a rut? Do you find yourself knitting the same patterns over and over again? It’s time to switch things up! 

If you’re like me, you have several “go to” patterns you can do in your sleep…or certainly while watching your favorite show on TV. You know exactly how many stitches to cast on, how much yarn the project will take, and which size needles to use. But you may also have umpteen of this finished project – with too many blankets, shawls, pullover sweaters, or whatever this “go to” project is – filling up closets or going unused. 

If this is you, it might be time to learn a new knitting skill. Yes, it will be hard at first. Yes, you will make mistakes and will likely have to frog the thing at least once. But the upside is that you’ll have a new technique in your toolkit of knitting designs and skills. You might even have a new favorite project on your hands.

The best way to learn a new project, at least for me, is to purchase a kit that includes an understandable pattern and exactly the amount and type of yarn you’ll need to complete the project. I had been reluctant to buy kits in the past, scarred by memories of paint-by-number art kits in childhood that never had enough paint to finish the project. But happily, the knitting projects I’ve bought in the last several years have had more than enough yarn to complete projects.  (And I’ve bought numerous knitting kits from a wide variety of companies, especially during the pandemic).

My latest new-to-me knitting skill is the mitered square technique. I found the technique a little trippy – you start with a straight line, and by decreasing in the middle of the row, you end up with a square. Who comes up with this stuff??? I’ve enjoyed making a blanket using this stitch, with some simple colorwork to mix it up as well. Yes, it took me a couple of tries to get it right, but I can now do it like a pro. I’ll definitely use the technique again to make placemats, bath rugs and other household items requiring a fairly sturdy fabric.

Of course, some kits I’ve tried have ended up as “never again” projects. One cardigan sweater kit I bought required me to flip the project around six times and use short rows for some purpose I could not discern. But even the “never again” projects keep knitting interesting and my brain continuing to learn. 

As much as I enjoy simple, meditative knitting projects, I always enjoy a new challenge, too. We all need to keep our minds and souls fresh, active, and open to new experiences!

Knitting Blessings, Cindy

Cynthia Coe is the author of The Prayer Shawl Chronicles, a series of fictional stories woven together by the theme of human connections made through prayer shawls and the craft of knitting. Her newest book is her first historical novel, Knitting Through Time: Stories of How We Learned to Knit. Learn more by visiting her Author Page at this link

What is Nalbinding, and What Does It Have to do with Knitting?

At some point in history, humans learned to make fabric by forming loops with yarn or whatever fiber they had on hand. But this wasn’t knitting; it wasn’t crochet. It was an ancient craft called nalbinding

Apparently, humans first learned to make fabric by sewing together animal hides, using crude needles made of wood or bone. For “thread,” they used animal fibers (wool) they rolled together to form a crude yarn. At some point, some clever person figured out how to make a stretchy fabric by winding loops of this yarn around her fingers, making a chain of loops with her bone or wood “needle.” That became the ancient craft of nalbinding. 

Nalbinding in one form or another was done by humans all over the world. Forms of nalbinding have been discovered in the Middle East, Europe, Africa, the Asian Pacific islands, and among the indigenous peoples of the Americas. Apparently, the urge and need to make fabric out of a bone or piece of wood with a hole in the end of it, using a length of string of some sort was once a basic means of providing warmth, décor, and protection to a woman’s loved ones.

But how did knitting come out of this long history of nalbinding? No one knows. In my new book, Knitting Through Time, I make a stab at suggesting how this might have happened. We know that knitting was first done in the Middle East, so I came up with a plausible story of how someone with lots of time on her hands came up with knitting out of necessity, then spread this new craft far and wide. Is this “true”? You’ll have to read the book and decide for yourself! 

However knitting came to be part of our cultures, I think we can assume that this craft was passed woman to woman, mother to daughter, friend to friend – just like many of us still learn to knit or learn more advanced knitting techniques. Last evening, in preparing to write this blog post, I sat down with a nalbinding needle, wool yarn, and numerous videos demonstrating the craft of nalbinding. Reader, I was an abject failure. Why? I needed a real person to show me how to hold the yarn, correct my obvious mistakes, and to guide my hopelessly untrained fingers. Sadly, I have no one to show me, in person, what I was doing wrong.

We pass on our cultures, our crafts, and the very essence of ourselves to our loved ones and to others in our communities through small moments of one-on-one demonstrations and conversations. I sincerely hope we all will keep knitting and other crafts alive through this long history of sharing our crafts, our knowledge, and our time.

Blessings, Cindy

Recommended Resources:

Nalbinding: What in the World is That? by Ulrike Classen-Buttner, available in English on Amazon at https://amzn.to/3Lkg3FT.

Bone Nalbinding Needle by Hearth and Bone, available at https://amzn.to/464uJCS.

Cynthia Coe is the author of The Prayer Shawl Chronicles, a series of fictional stories woven together by the theme of human connections made through prayer shawls and the craft of knitting. Her newest book is her first historical novel, Knitting Through Time: Stories of How We Learned to Knit. Learn more by visiting her Author Page at this link

Women’s History and the History of Fabric-Making (Spoiler Alert: It’s the Same Thing)

Did you know that if you lived just a couple of hundred years ago – and any time before that – and you’re a woman, you would have spent much of your life making fabric? Yes, we as women still do much of the cooking and cleaning in our families, though the men in our lives and households do much, much more than they did prior to the 1970’s. We still cook, and some of us even enjoy it.

Many of us still enjoy making fabrics by knitting, crocheting, or weaving. We might enjoy sewing, making quits, or even making our own clothes. But up until recently in human history, the making of fabric was no hobby. It was work and important work at that. And if you were a woman, it would have been one of your primary occupations.

As I’ve researched the history of knitting for my next book in The Prayer Shawl Chronicles, I’ve discovered these truths, and it’s changed the way I look at fabrics. In our current culture, we barely give a thought to the fabrics we wear, use to bathe, sit upon, or trod upon. Yet someone made these fabrics. The raw materials came from some place, somewhere in the world. Someone – likely other women, working in not great conditions and for low wages – worked at the factories that turn out the cotton, synthetic, wool, silk, and all other fabrics we likely take for granted.

In my novels, you’ll see characters knitting for solace, for quiet time, and as an aid to spirituality. Yet in real life, women also knitted to survive the cold, to keep themselves and their families warm. I hope to convey this reality in my next novels, and I hope you’ll take a moment to appreciate all those mechanized and digitized looms, yarn spinners, and dying machines that means we as 21st century women get to simply knit…for fun. 

Interested in the history of fabric making? Here are my go-to recommendations: 

The History of Fabrics and Cloth Making

Women’s Work, The First 20,000 Years: Women, Cloth, and Society in Early Times by Elizabeth Wayland Barber (W.W. Norton & Company, Inc., 1995).

Fabric: The Hidden History of the Material World by Victoria Finlay (Pegasus Books, 2022).

The Fabric of Civilization: How Textiles Made the World by Virginia Postrel (Basic Books, 2020).

Worn: A People’s History of Clothing by Sofi Thanhauser (Vintage Books, 2022).

Happy Reading! Cindy

Follow this blog for impending news of a new novel in The Prayer Shawl Chronicles!

Cynthia Coe is the author of The Prayer Shawl Chronicles, a collection of interrelated short stories about knitters and those they meet through knitting and sharing prayer shawls. 

Be sure to check out my newly published A Prayer Shawl Handbook: Inspiration and Resources for Your Prayer Shawl Ministry, now available in paperback and e-book editions and included in Kindle Unlimited.

Ten Reasons to Teach Knitting or Crochet in Summer Kids’ Programs

Those of you planning summer youth camps are undoubtedly thinking about what activities you’ll offer in your programs this year. You’ll want something fun and engaging, something parents will talk about favorably and youth will remember fondly. 

Why not teach life skills that will equip them to find their own sense of peace and calm in their lives, as well as serve as an outlet for personal expression? Why not teach crafts that have helped people make useful items for centuries? Here’s ten reasons to teach tried and true crafts – like knitting or crochet – this summer:

Ten Reasons To Teach Traditional Crafts To Young People This Summer

  1. You’re teaching something young people can practice and enjoy for the rest of their lives.
  2. You’re teaching “real” life skills, not an “arts & crafts” project they’ll trash as soon as they get home.
  3. Crafts help young people calm down and get away from their phones.
  4. It’s perfectly acceptable for both boys and girls to engage in crafts we previously thought of as “women’s” or “men’s” crafts. Boys can knit, and girls can do woodworking.
  5. Finishing a challenging craft project gives you a huge sense of accomplishment and self-esteem.
  6. You can make your own clothes, hats, scarves, and blankets, furniture, kitchen items, or other useful things you’ll treasure always.
  7. If you all-natural materials, you’re introducing a sustainability lesson, too.
  8. You can engage members of your community as teachers and create bonds between generations.
  9. Local crafters might donate a lot of the materials you need. All of us crafters have “stashes” of leftover and spare materials and tools we’d like to share. 
  10. Your young people will remember “the summer I learned to knit/whittle/basketweave/crochet” as one of their best memories of summer camp. 

Tips for Teaching Young People How to Knit:

  • Start Small: Go with a small piece of knitting or crochet for kids’ “First Project.” It can be a coaster or a “prayer patch.”
  • Consider casting on in advance for your students. Let kids get the feel for actual knitting before overwhelming them with too many skills to learn too soon.
  • Patience counts! Everyone’s first piece of knitting or crochet will likely look wonky. That’s fine.
  • Have plenty of volunteers available to help kids one-on-one.
  • Consider making short videos of your lessons, so kids can refer back to them later on their phones.

Need a pattern? My new book A Prayer Shawl Handbook has plenty of patterns for simple patterns for prayer shawls and small, quick prayer patches.

A Prayer Shawl Handbook,
available in paperback and e-book editions

Cynthia Coe is the author of The Prayer Shawl Chronicles, a collection of interrelated short stories about knitters and those they meet through knitting and sharing prayer shawls. 

Be sure to check out my newly published A Prayer Shawl Handbook: Inspiration and Resources for Your Prayer Shawl Ministry, now available in paperback and e-book editions and included in Kindle Unlimited.

Patterns in Nature, Patterns in Fiber Arts

Why do some knitting patterns just “look right”? Where could you find inspiration for designing your next fiber arts project?

Look no further than Mother Nature herself! Certain patterns are found time and time again in nature. Intuitively, we are already hard-wired and attuned to recognizing these patterns. So if you find yourself stumped for design ideas or a pattern that’s sure to please, here are design elements found in nature and their knitting or other fiber arts equivalents.

The Wave: This pattern lends itself easily to the inherently linear nature of knitting. Most knitting patterns are done in rows, and rows are akin to long, thin waves. These waves can have crests and dips, interruptions and smooth sections – just like many knitting or crochet rows.  If you’re knitting in any kind of garter stitch pattern or with other repetitive lines, you’ve got your wave.

A pattern in nature related to the Wave includes the Meander pattern. Think a pathway, river, or snake. Though our finished products in knitting and other fiber arts usually no longer meander, our yarns certainly meander from our skeins to our needles as we’re working!

The Burst: Think of the iconic photograph of a drop of milk making a round, crown shaped pattern. Or the shape of a daisy or other flowers or plants “bursting” with a central point. This circular pattern is a bit trickier for knitters. Making a circular pattern with double pointed needles can be fiddly and, in my opinion, is a rather advanced skill. But if you want to knit to impress, this would be your “wow” pattern. This pattern is much easier in crochet, and many crochet patterns feature increasing numbers of stitches starting from a small space. 

The Spiral pattern is similar to the Burst pattern. Both are round patterns, with the spiral meandering around and around instead of making a round burst from a central point. Spirals are more often found in crochet patterns than knitting. 

Fractals: Think branches of a tree or other plant, fractals branch out from a central line, just as tree limbs or leaves branch out from a stem or trunk. We see a lot of fractals in embroidery and other fiber arts using decorative stitches. Many more advanced knitting stitches do feature fractals that mimic plant leaves. These are sure to give your design a nod to nature.

Cells and Bubbles: Cells are the building block of nature, so cell-like designs are often found in all finds of knitting, crochet, and other fiber arts. They may take the form of holes or spaces in our stitches, or we may make block-like patterns in our colorwork or stitching. Think moss stitch in knitting or even basketweave. Bubbles are similar to cell patterns and can give a pattern the feel of fun and joy. 

These patterns are all around us – in our own bodies, in plants, and in the heavens. We know these patterns; we recognize these patterns. Take a look at your favorite fiber arts patterns some time. What do you recognize from the natural world?

Enjoy Your Fiber Arts Designing…and Time in Nature! Cindy

Cynthia Coe is the author of The Prayer Shawl Chronicles, a collection of interrelated short stories about knitters and those they meet through knitting and sharing prayer shawls. 

Be sure to check out my newly published A Prayer Shawl Handbook: Inspiration and Resources for Your Prayer Shawl Ministry, now available in paperback and e-book editions and included in Kindle Unlimited.

It’s All About Color: Crafting Color Symbolism in Every Stitch

Exploring Symbolic Colors in Prayer Shawl Design

When you embark on the journey of creating a prayer shawl – or any other crafting project – the choice of colors goes beyond aesthetics; it can carry profound symbolism. Across various traditions, colors have played a significant role in conveying concepts and stories. Whether you’re crafting for spiritual or personal reasons, understanding the symbolism of colors can add a meaningful layer to your prayer shawl design.

Here’s list of common colors and traditional symbolism associated with each:

  • Red: Passion, Love, and Energy
  • Red symbolizes passion, love, energy, courage, warning, power, celebration, and attention, with its meanings varying across cultures and contexts.
  • White: Celebration and Renewal
  • White, representing celebration and renewal, symbolizes purity, a fresh start, and the illuminating power of light.
  • Purple: Rich Emotions
  • Purple can evoke both warmth and calmness.
  • Blue: Calmness and Spirituality
  • Blue brings a sense of calmness. It suggests elements of water, peace, and the expansive sky.
  • Green: Growth and Abundance
  • The color of growth, green is used after Pentecost. It signifies nature, abundance, and tranquility.
  • Yellow and Gold: Warmth and Cheerfulness
  • Yellow suggests cheerfulness and sunshine, while gold brings a sense of coziness and warmth.
  • Pink: Joy and Playfulness
  • Pink represents joy, youthfulness, and cheerfulness.
  • Brown: Earthy Humility
  • Brown symbolizes humility, reminiscent of monk’s robes. It brings warmth through its connection to nature and soil.
  • Beige: Calming Desert Tones
  • A calming color reminiscent of sand, beige can symbolize time spent in the desert or on the beach.

In moments of uncertainty, neutral tones such as beige, cream, grey, taupe, and sand always make for a beautiful prayer shawl. Consider the soothing, cozy, and comfortable feelings these colors can evoke. After all, your hand-crafted work aims to embrace someone with a heartfelt hug.

Whether you find inspiration in religious symbolism or personal preferences, let your prayer shawl be a reflection of warmth, comfort, and love.

Happy knitting!

Cindy

Cynthia Coe is the author of The Prayer Shawl Chronicles, a collection of interrelated short stories about knitters and those they meet through knitting and sharing prayer shawls. 

Be sure to check out my newly published A Prayer Shawl Handbook: Inspiration and Resources for Your Prayer Shawl Ministry, now available in paperback and e-book editions and included in Kindle Unlimited.