knitting – Page 2 – Sycamore Cove Knitting

How Did Knitting Become A Worldwide Craft? Quick and Fun History Lessons on How We All Learned to Knit

August 30, 2024Cynthia Coe

When you think of where knitting originated, you might guess the Netherlands, Norway, Scotland, or some other cold place. But Spain and Egypt? Really???

Where did the beloved craft of knitting get started? When I first picked up a history of knitting, I imagined knitting began somewhere around the North Atlantic, like the Scandinavian countries. The word “knitting” comes from the Old English word *cnyttan,* which means “to knot.” This term is derived from the Old Norse word *knúta,* meaning “knot” or “tie.” Over time, the term evolved into the modern English word “knitting.”

Does this mean the Old Norse developed knitting? Nope. Western Europe got its knitting from the Spanish. History Lesson! Through a whole bunch of royal marriages, Spain got control of Belgium and the Netherlands in the early 16^th century. What does that have to do with knitting? The Spanish brought their culture – including knitting – to the low countries when they set up their courts and started a hearty trading economy between Spain and the low countries and the rest of the known world at that time. Spain ruled the waves during this time in history.

My book, Knitting Through Time, imagines how exactly all this knitting knowledge got from Egypt to Spain to Belgium to Britain to America. No one knows exactly how this happened, but yours truly used the power of historical fiction to take a stab at suggesting likely possibilities.

Where did the Spanish get knitting? History Lesson Number Two! The first evidence we have of knitting in human history was in Egypt, of all places. (Yes, it’s hot there, but they had wool and figured out how to make socks earlier than anyone else. Think “cold nights in the desert.”) And then…History Lesson Number Three!..in 711 A.D., the Moors of the Middle East and North Africa (including Egypt) invaded Spain. The Moors took their knitting with them and left a solid culture of knitting there with the Visigoths, eventually intermarrying with them to form the modern Spanish culture.

After writing this book, I felt I had left out a huge hole in the history of knitting that came from South America. Many of our luxury yarns now come from Peru, Uruguay, and other places in South America. Crafters in these countries have long, proud histories of gorgeous, advanced knitting techniques using high quality wool from sheep and alpaca they raise. So they likely developed their own knitting techniques, right? Nope. Spain again.

When the Spanish invaded South America (much like the Moors invaded Spain centuries before), they took their knitting with them. It’s likely that the Roman Catholic nuns who set up shop to teach the indigenous peoples European ways of doing things introduced the craft of knitting to South American peoples. While weaving with wool was widely practiced to make beautiful garments and household items in South America since the beginning of human history there, the knitting skills now widely practiced there came from the Spanish.

So the next time you think of knitting as a product of cold weather cultures – Norway, Scotland, Holland – think warm thoughts instead. The History of Knitting is all about Spain!

Happy Knitting Through History! Cindy

Cynthia Coe is the author of The Prayer Shawl Chronicles, a series of fictional stories woven together by the theme of human connections made through prayer shawls and the craft of knitting. Her newest book is her first historical novel, Knitting Through Time: Stories of How We Learned to Knit. Learn more by visiting her Author Page at this link.

Keep Knitting Fresh and Interesting – Learn New Skills

July 24, 2024Cynthia Coe

Feeling in a rut? Do you find yourself knitting the same patterns over and over again? It’s time to switch things up!

If you’re like me, you have several “go to” patterns you can do in your sleep…or certainly while watching your favorite show on TV. You know exactly how many stitches to cast on, how much yarn the project will take, and which size needles to use. But you may also have umpteen of this finished project – with too many blankets, shawls, pullover sweaters, or whatever this “go to” project is – filling up closets or going unused.

If this is you, it might be time to learn a new knitting skill. Yes, it will be hard at first. Yes, you will make mistakes and will likely have to frog the thing at least once. But the upside is that you’ll have a new technique in your toolkit of knitting designs and skills. You might even have a new favorite project on your hands.

The best way to learn a new project, at least for me, is to purchase a kit that includes an understandable pattern and exactly the amount and type of yarn you’ll need to complete the project. I had been reluctant to buy kits in the past, scarred by memories of paint-by-number art kits in childhood that never had enough paint to finish the project. But happily, the knitting projects I’ve bought in the last several years have had more than enough yarn to complete projects. (And I’ve bought numerous knitting kits from a wide variety of companies, especially during the pandemic).

My latest new-to-me knitting skill is the mitered square technique. I found the technique a little trippy – you start with a straight line, and by decreasing in the middle of the row, you end up with a square. Who comes up with this stuff??? I’ve enjoyed making a blanket using this stitch, with some simple colorwork to mix it up as well. Yes, it took me a couple of tries to get it right, but I can now do it like a pro. I’ll definitely use the technique again to make placemats, bath rugs and other household items requiring a fairly sturdy fabric.

Of course, some kits I’ve tried have ended up as “never again” projects. One cardigan sweater kit I bought required me to flip the project around six times and use short rows for some purpose I could not discern. But even the “never again” projects keep knitting interesting and my brain continuing to learn.

As much as I enjoy simple, meditative knitting projects, I always enjoy a new challenge, too. We all need to keep our minds and souls fresh, active, and open to new experiences!

Knitting Blessings, Cindy

What is Nalbinding, and What Does It Have to do with Knitting?

July 11, 2024Cynthia Coe

At some point in history, humans learned to make fabric by forming loops with yarn or whatever fiber they had on hand. But this wasn’t knitting; it wasn’t crochet. It was an ancient craft called nalbinding.

Apparently, humans first learned to make fabric by sewing together animal hides, using crude needles made of wood or bone. For “thread,” they used animal fibers (wool) they rolled together to form a crude yarn. At some point, some clever person figured out how to make a stretchy fabric by winding loops of this yarn around her fingers, making a chain of loops with her bone or wood “needle.” That became the ancient craft of nalbinding.

Nalbinding in one form or another was done by humans all over the world. Forms of nalbinding have been discovered in the Middle East, Europe, Africa, the Asian Pacific islands, and among the indigenous peoples of the Americas. Apparently, the urge and need to make fabric out of a bone or piece of wood with a hole in the end of it, using a length of string of some sort was once a basic means of providing warmth, décor, and protection to a woman’s loved ones.

But how did knitting come out of this long history of nalbinding? No one knows. In my new book, Knitting Through Time, I make a stab at suggesting how this might have happened. We know that knitting was first done in the Middle East, so I came up with a plausible story of how someone with lots of time on her hands came up with knitting out of necessity, then spread this new craft far and wide. Is this “true”? You’ll have to read the book and decide for yourself!

However knitting came to be part of our cultures, I think we can assume that this craft was passed woman to woman, mother to daughter, friend to friend – just like many of us still learn to knit or learn more advanced knitting techniques. Last evening, in preparing to write this blog post, I sat down with a nalbinding needle, wool yarn, and numerous videos demonstrating the craft of nalbinding. Reader, I was an abject failure. Why? I needed a real person to show me how to hold the yarn, correct my obvious mistakes, and to guide my hopelessly untrained fingers. Sadly, I have no one to show me, in person, what I was doing wrong.

We pass on our cultures, our crafts, and the very essence of ourselves to our loved ones and to others in our communities through small moments of one-on-one demonstrations and conversations. I sincerely hope we all will keep knitting and other crafts alive through this long history of sharing our crafts, our knowledge, and our time.

Blessings, Cindy

Recommended Resources:

Nalbinding: What in the World is That? by Ulrike Classen-Buttner, available in English on Amazon at https://amzn.to/3Lkg3FT.

Bone Nalbinding Needle by Hearth and Bone, available at https://amzn.to/464uJCS.

Introducing “Knitting Through Time” – Book 3 of The Prayer Shawl Chronicles

July 2, 2024Cynthia Coe

How did human beings learn to knit? Historians have no idea! So I made up a whole book of stories -based on historical facts- to suggest how we as a civilization learned how to make fabric from two sticks and a ball of yarn.

Who invented knitting? No one has any idea. Knitting first appeared in Egypt, as far we can tell. It next showed up in Spain, then spread throughout western Europe and onto the Americas as Europeans settled and colonized the New World. But how exactly did all that happen? What’s the story?

Those are the questions I set about answering in my latest novel, Knitting Through Time. As a fan of early Christian history and of the “Desert Mothers,” I had to think these women could have had a hand in the development of knitting. After all, they lived in Egypt about the time knitting developed, had lots of time on their hands, and did in fact do a bit of crafting to support themselves. So of course, one of my main characters is an aristocratic woman from Rome, Seraphina, who goes out into the Egyptian desert (wearing a blue silk dress, servants in tow) and has a fortuitous accident that just might have invented our beloved craft of knitting. (She also grows spiritually by leaps and bounds and befriends one of the famous saints.)

The action of my novel also takes place in Toledo, Spain, as the Moorish invasion of this region almost certainly brings knitting to Europe. But how exactly did that happen? In my imagined version of history, a young Visigoth girl named Hilda learned about knitting after the Moors put her to work washing their socks. Her descendants then took knitting to Bruges, Belgium and beyond as the Spanish court set up shop in Northern Europe. From there, the Dutch knitters of the Netherlands may very well have taken knitting to New Amsterdam and the Americas. A storyline featuring Anna, a young widow begrudgingly living with a community of Beguines in Amsterdam, shows how she and her knitting needles ended up in what is now New York City. (Who are the Beguines? You’ll find out!)

And how is this all connected to the first two novels in the Prayer Shawl Chronicles? Remember Nan, the “Quiet One” in book one and a late addition to the Prayer Shawl Guild of All Saints Church in book two? She takes center stage in book 3 and tells us how she learned to knit at the famous Woodstock festival in 1969 and what happened next. She ends up in Amsterdam, Bruges, Paris, and Egypt, too! How? You’ll have to read the book.

Tying all these stories together is a fun twist I wove throughout the book. You won’t know exactly what it is until the last couple of pages. So if you read something in the book and think, “that’s weird,” stay tuned! It will make sense at the end. (And…pssst!…if you read the thumbnail histories in the very back of the book, you MIGHT get a glimmer of this mysterious twist I put in the book.)

As a history major at the University of Tennessee a long, long time ago, I absolutely LOVED writing this book. With all the new online tools available now, I could research all kinds of obscure facts easy, peasy and within moments. I have actually visited almost all of the locations in this book (Toledo, Bruges, Amsterdam, New York, Paris), so it was a pleasure to write a book that tied together all these journeys made over a lifetime.

I hope you enjoy reading my new book as much as I enjoyed writing it! If you’re part of a book club or church group, there’s Questions for Discussion at the end of the book. (I’m a former Christian education curriculum developer; it’s what I do.) If you’re a history buff, I’ve also included a section at the back of the book giving brief descriptions of what was going on at the times and places portrayed in the book, along with a discussion of the Desert Mothers and Fathers of Egypt and the Beguines of western Europe.

Happy Reading and Happy Knitting! Cindy

Women’s History and the History of Fabric-Making (Spoiler Alert: It’s the Same Thing)

April 11, 2024Cynthia Coe

Did you know that if you lived just a couple of hundred years ago – and any time before that – and you’re a woman, you would have spent much of your life making fabric? Yes, we as women still do much of the cooking and cleaning in our families, though the men in our lives and households do much, much more than they did prior to the 1970’s. We still cook, and some of us even enjoy it.

Many of us still enjoy making fabrics by knitting, crocheting, or weaving. We might enjoy sewing, making quits, or even making our own clothes. But up until recently in human history, the making of fabric was no hobby. It was work and important work at that. And if you were a woman, it would have been one of your primary occupations.

As I’ve researched the history of knitting for my next book in The Prayer Shawl Chronicles, I’ve discovered these truths, and it’s changed the way I look at fabrics. In our current culture, we barely give a thought to the fabrics we wear, use to bathe, sit upon, or trod upon. Yet someone made these fabrics. The raw materials came from some place, somewhere in the world. Someone – likely other women, working in not great conditions and for low wages – worked at the factories that turn out the cotton, synthetic, wool, silk, and all other fabrics we likely take for granted.

In my novels, you’ll see characters knitting for solace, for quiet time, and as an aid to spirituality. Yet in real life, women also knitted to survive the cold, to keep themselves and their families warm. I hope to convey this reality in my next novels, and I hope you’ll take a moment to appreciate all those mechanized and digitized looms, yarn spinners, and dying machines that means we as 21^st century women get to simply knit…for fun.

Interested in the history of fabric making? Here are my go-to recommendations:

The History of Fabrics and Cloth Making

Women’s Work, The First 20,000 Years: Women, Cloth, and Society in Early Times by Elizabeth Wayland Barber (W.W. Norton & Company, Inc., 1995).

Fabric: The Hidden History of the Material World by Victoria Finlay (Pegasus Books, 2022).

The Fabric of Civilization: How Textiles Made the World by Virginia Postrel (Basic Books, 2020).

Worn: A People’s History of Clothing by Sofi Thanhauser (Vintage Books, 2022).

Happy Reading! Cindy

Follow this blog for impending news of a new novel in The Prayer Shawl Chronicles!

Cynthia Coe is the author of The Prayer Shawl Chronicles, a collection of interrelated short stories about knitters and those they meet through knitting and sharing prayer shawls.

Be sure to check out my newly published A Prayer Shawl Handbook: Inspiration and Resources for Your Prayer Shawl Ministry, now available in paperback and e-book editions and included in Kindle Unlimited.

How Did You Learn to Knit? There’s a Story There

April 3, 2024Cynthia Coe

My own story of learning to knit is a story of learning a few basics from my mother, then learning so much more on my own and from other women.

How did you learn to knit? You likely could tell the story of a fundamental relationship in your life in answering this question. You may have learned from your mother, your grandmother, or another relative who took the time to spend with you, teaching something that stick with you the rest of your life. Or if you’re younger, this may be a story of finding yourself bored during the pandemic and using tech tools, like an online course, to teach yourself an ancient craft. In any case, as a novelist, I can assure there’s a rich story there.

My own story of learning to knit begins in Kingsport, Tennessee, as a teenager. I learned to cast on, knit, and cast off. She told me the story of making one and only one knitted blanket while my father had surgery on his lung, to remove inhaled debris from his childhood. I imagine her knitting away during the long hours of his surgery and recovery.

My mother only knew the knit stitch, so I didn’t learn to purl until much later. My mother taught me what she knew, which she almost certainly learned from her own mother. I imagine this grandmother I never knew knitting to calm her fears while my grandfather, a doctor, served in a medical unit in Europe during World War II.

I continued learning to knit as an undergraduate at the University of Tennessee. I struggled with anxiety and figured out that knitted helped to calm me. I sought out more advanced knitting skills from a local knit shop in Knoxville, The Knit Wits. There, two elderly women taught me how to purl, increase and decrease, and eventually to make an actual sweater. I never looked back. This was a story of finding myself and learning to seek out guidance and knowledge from those outside my own family, as I did elsewhere in my life during those college years.

By my mid-twenties, I became fully autodidactic. I learned to learn all kinds of things all by myself. That’s one thing I learned in law school – if you’re trying a case on something you know nothing about (medical procedures, auto parts, you name it), you hit the books and figure it out. Knitting was no different. While snowed in from law school one winter, I figured out how to knit cables. I became a self-learning student for life.

What’s your knitting story? What does your story tell you about yourself?

Stay tuned for my next book in The Prayer Shawl Chronicles, Knitting Through Time: Stories of How We Learned to Knit. In this novel, I imagine how we as a civilization learned to knit over the centuries. This is my first foray into historical fiction, and I’ve had a ball with it. I hope you’ll enjoy it, too!

Blessings, Cindy

Cynthia Coe is the author of The Prayer Shawl Chronicles, interrelated short stories woven around those who make and receive handmade, prayerfully crafted gifts of prayer shawls. Click this link to order or for more information.

Ten Reasons to Teach Knitting or Crochet in Summer Kids’ Programs

March 20, 2024Cynthia Coe

Those of you planning summer youth camps are undoubtedly thinking about what activities you’ll offer in your programs this year. You’ll want something fun and engaging, something parents will talk about favorably and youth will remember fondly.

Why not teach life skills that will equip them to find their own sense of peace and calm in their lives, as well as serve as an outlet for personal expression? Why not teach crafts that have helped people make useful items for centuries? Here’s ten reasons to teach tried and true crafts – like knitting or crochet – this summer:

Ten Reasons To Teach Traditional Crafts To Young People This Summer

You’re teaching something young people can practice and enjoy for the rest of their lives.
You’re teaching “real” life skills, not an “arts & crafts” project they’ll trash as soon as they get home.
Crafts help young people calm down and get away from their phones.
It’s perfectly acceptable for both boys and girls to engage in crafts we previously thought of as “women’s” or “men’s” crafts. Boys can knit, and girls can do woodworking.
Finishing a challenging craft project gives you a huge sense of accomplishment and self-esteem.
You can make your own clothes, hats, scarves, and blankets, furniture, kitchen items, or other useful things you’ll treasure always.
If you all-natural materials, you’re introducing a sustainability lesson, too.
You can engage members of your community as teachers and create bonds between generations.
Local crafters might donate a lot of the materials you need. All of us crafters have “stashes” of leftover and spare materials and tools we’d like to share.
Your young people will remember “the summer I learned to knit/whittle/basketweave/crochet” as one of their best memories of summer camp.

Tips for Teaching Young People How to Knit:

Start Small: Go with a small piece of knitting or crochet for kids’ “First Project.” It can be a coaster or a “prayer patch.”
Consider casting on in advance for your students. Let kids get the feel for actual knitting before overwhelming them with too many skills to learn too soon.
Patience counts! Everyone’s first piece of knitting or crochet will likely look wonky. That’s fine.
Have plenty of volunteers available to help kids one-on-one.
Consider making short videos of your lessons, so kids can refer back to them later on their phones.

Need a pattern? My new book A Prayer Shawl Handbook has plenty of patterns for simple patterns for prayer shawls and small, quick prayer patches.

A Prayer Shawl Handbook,
available in paperback and e-book editions

Cynthia Coe is the author of The Prayer Shawl Chronicles, a collection of interrelated short stories about knitters and those they meet through knitting and sharing prayer shawls.

Patterns in Nature, Patterns in Fiber Arts

March 14, 2024Cynthia Coe

Why do some knitting patterns just “look right”? Where could you find inspiration for designing your next fiber arts project?

Look no further than Mother Nature herself! Certain patterns are found time and time again in nature. Intuitively, we are already hard-wired and attuned to recognizing these patterns. So if you find yourself stumped for design ideas or a pattern that’s sure to please, here are design elements found in nature and their knitting or other fiber arts equivalents.

The Wave: This pattern lends itself easily to the inherently linear nature of knitting. Most knitting patterns are done in rows, and rows are akin to long, thin waves. These waves can have crests and dips, interruptions and smooth sections – just like many knitting or crochet rows. If you’re knitting in any kind of garter stitch pattern or with other repetitive lines, you’ve got your wave.

A pattern in nature related to the Wave includes the Meander pattern. Think a pathway, river, or snake. Though our finished products in knitting and other fiber arts usually no longer meander, our yarns certainly meander from our skeins to our needles as we’re working!

The Burst: Think of the iconic photograph of a drop of milk making a round, crown shaped pattern. Or the shape of a daisy or other flowers or plants “bursting” with a central point. This circular pattern is a bit trickier for knitters. Making a circular pattern with double pointed needles can be fiddly and, in my opinion, is a rather advanced skill. But if you want to knit to impress, this would be your “wow” pattern. This pattern is much easier in crochet, and many crochet patterns feature increasing numbers of stitches starting from a small space.

The Spiral pattern is similar to the Burst pattern. Both are round patterns, with the spiral meandering around and around instead of making a round burst from a central point. Spirals are more often found in crochet patterns than knitting.

Fractals: Think branches of a tree or other plant, fractals branch out from a central line, just as tree limbs or leaves branch out from a stem or trunk. We see a lot of fractals in embroidery and other fiber arts using decorative stitches. Many more advanced knitting stitches do feature fractals that mimic plant leaves. These are sure to give your design a nod to nature.

Cells and Bubbles: Cells are the building block of nature, so cell-like designs are often found in all finds of knitting, crochet, and other fiber arts. They may take the form of holes or spaces in our stitches, or we may make block-like patterns in our colorwork or stitching. Think moss stitch in knitting or even basketweave. Bubbles are similar to cell patterns and can give a pattern the feel of fun and joy.

These patterns are all around us – in our own bodies, in plants, and in the heavens. We know these patterns; we recognize these patterns. Take a look at your favorite fiber arts patterns some time. What do you recognize from the natural world?

Enjoy Your Fiber Arts Designing…and Time in Nature! Cindy

Cynthia Coe is the author of The Prayer Shawl Chronicles, a collection of interrelated short stories about knitters and those they meet through knitting and sharing prayer shawls.

Beginner, Intermediate, and Advanced in Knitting Patterns – What the Definitions Should Mean!

February 22, 2024Cynthia Coe

Spoiler Alert: “Advanced” is reserved for “I couldn’t possibly knit that while watching TV”

Do you ever check the “Level of Difficulty” on a knitting pattern? Have you ever picked up a “beginner” level pattern, only to find it way, way, way beyond your skill level? Or found that an “intermediate” pattern required you to count each and every movement of the yarn you made, and it still didn’t come out right?

Friends, I’ve been there. I would consider myself a fairly experienced knitter, but I enjoy fairly mindless “meditative” knitting, especially while I’m watching TV or listening to an audio book. Recently, I grimaced in annoyance at a pattern that was labeled for “beginners.” This pattern required yarn-overs, yarn-overs on the purl side that required an extra loop that the pattern failed to mention, and slip stitches that were supposed to go over all that. And at beginner level knitter was supposed to navigate all that??? Really???

So here’s my own definitions of what “beginner,” “intermediate,” and “advanced” should mean in patterns for those of us who knit for pleasure:

Beginner means knits and purls only!!! Nothing else! I mean it! Most beginners are still trying to make consistent stitches that don’t look like something the cat got ahold of. The beginner knitter wants to begin and end with the same number stitches on the needle. If you’re a pattern designer and call your pattern “beginner” level, don’t throw in slip stitches, yarnovers, or anything else that needs explaining. Think stockinette stitch and garter stitches, maybe a moss stitch. There’s a lot you can do with these.

Intermediate means a few tricks that don’t require excessive brain power. Intermediate means you’ve mastered the basic knit and purl stitches and can make a piece of fabric you’re not embarrassed to show other people. You’re now ready to throw in a few fancy stitches that will add texture and impress the heck out of your friends, but you do not have to count beyond the number 4. For pattern designers, this means stuff like increases, decreases, slip stitches if you explain them properly, and yarnovers. If it’s a sweater pattern, you may ask the knitter to pick up stitches for the button band, but you better provide a video.

Advanced means the knitter will need to turn off the TV, mute the phone, and tell everyone to leave her alone for the next hour. For pattern designers, bring it. You may ask the knitter to count in sets of twelve if you want. You may ask the knitter to knit 9 tog with yarn so thin you have to squint to see it. You may include German short rows, whatever those things are. You may ask your knitter to turn the fabric upside down and flip it over twice every two rows. It’s fine. This knitter has been forewarned and is game for anything.

Pattern designers, take note and proceed accordingly! Tell us what we’re getting into! And in plain English, please!

Love and kisses to designers who think I knit better than I do, Cindy

Cynthia Coe is the author of The Prayer Shawl Chronicles, a collection of interrelated short stories about knitters and those they meet through knitting and sharing prayer shawls.

It’s All About Color: Crafting Color Symbolism in Every Stitch

January 24, 2024Cynthia Coe

Exploring Symbolic Colors in Prayer Shawl Design

When you embark on the journey of creating a prayer shawl – or any other crafting project – the choice of colors goes beyond aesthetics; it can carry profound symbolism. Across various traditions, colors have played a significant role in conveying concepts and stories. Whether you’re crafting for spiritual or personal reasons, understanding the symbolism of colors can add a meaningful layer to your prayer shawl design.

Here’s list of common colors and traditional symbolism associated with each:

Red: Passion, Love, and Energy

Red symbolizes passion, love, energy, courage, warning, power, celebration, and attention, with its meanings varying across cultures and contexts.

White: Celebration and Renewal

White, representing celebration and renewal, symbolizes purity, a fresh start, and the illuminating power of light.

Purple: Rich Emotions

Purple can evoke both warmth and calmness.

Blue: Calmness and Spirituality

Blue brings a sense of calmness. It suggests elements of water, peace, and the expansive sky.

Green: Growth and Abundance

The color of growth, green is used after Pentecost. It signifies nature, abundance, and tranquility.

Yellow and Gold: Warmth and Cheerfulness

Yellow suggests cheerfulness and sunshine, while gold brings a sense of coziness and warmth.

Pink: Joy and Playfulness

Pink represents joy, youthfulness, and cheerfulness.

Brown: Earthy Humility

Brown symbolizes humility, reminiscent of monk’s robes. It brings warmth through its connection to nature and soil.

Beige: Calming Desert Tones

A calming color reminiscent of sand, beige can symbolize time spent in the desert or on the beach.

In moments of uncertainty, neutral tones such as beige, cream, grey, taupe, and sand always make for a beautiful prayer shawl. Consider the soothing, cozy, and comfortable feelings these colors can evoke. After all, your hand-crafted work aims to embrace someone with a heartfelt hug.

Whether you find inspiration in religious symbolism or personal preferences, let your prayer shawl be a reflection of warmth, comfort, and love.

Happy knitting!

Cindy

Cynthia Coe is the author of The Prayer Shawl Chronicles, a collection of interrelated short stories about knitters and those they meet through knitting and sharing prayer shawls.